The reflections on historical and contemporary positions assembled here shed light on concepts of temporalities in the context of artistic practices. In the 1960s and 1970s the pursuit for the situational, processual and actual stirred up artistic and theoretical fields. Nowadays, contemporary practices expand on these subjects by exploring the notion of anachronism, the impermanence of one’s own corporeality together with the performative and ephemeral qualities of the sonic amongst other relevant concepts.

The goal of this publication is to offer a deep dive into situation-specific settings and to fundamentally explore how temporality is able to initiate action and structure our perception, thereby affecting our bodies, our senses, how we communicate and how the present moment is shaped.