» … Krasulin’s aesthetic is rooted in an anti-aesthetic, for it initially derives from the banality of the commonplace, finds its expression hidden in the raw and mute dumbness of the derelict and discarded matter chosen as his means. To the artist the materials carry hidden intuitive possibilities directed by aesthetics of the trace, informe or ›formlessness‹, where objects have been stripped of utility that was once their material purpose.« Mark Gisbourne