Viewed from a mocking, oralistic perspective, the Macedonians served as a distorted mirror in which Greeks and Romans asserted their identities. The theme of Macedonian violence was also present in Greek comedy. This volume explores four case studies aiming at the deconstruction of these Greco-Roman topoi. The articles examine images of the Macedonians, Alexander, and Demetrius Poliorcetes analyzing the dimensions and expressions of Greco-Roman bias and its socio-political background.